<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6598499374123648206</id><updated>2012-02-16T05:48:04.222-08:00</updated><title type='text'>Symbolist Poetry Movement</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://kaylieapenglish.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://kaylieapenglish.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Kaylie McTiernan</name><uri>http://www.blogger.com/profile/10865900720505114933</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>8</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6598499374123648206.post-608440877528018077</id><published>2009-06-03T07:42:00.001-07:00</published><updated>2009-06-03T07:42:25.245-07:00</updated><title type='text'>My Poem</title><content type='html'>&lt;p class="MsoNormal"&gt;My poem “Marsh Graveyard” is inspired by Symbolist poetry and is my attempt at the movement.&lt;span style=""&gt;  &lt;/span&gt;Several images are evoked in my poem and death is a prevalent symbol, which was common of many Symbolist poems.&lt;span style=""&gt;  &lt;/span&gt;I create some rhymes, but the poem is not forced into a rigid structure.&lt;span style=""&gt;  &lt;/span&gt;The scene of a marsh and Native American burial site inspired this poem.&lt;span style=""&gt;  &lt;/span&gt;I have tried to bring out some of the feelings within this scene.&lt;span style=""&gt;  &lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6598499374123648206-608440877528018077?l=kaylieapenglish.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kaylieapenglish.blogspot.com/feeds/608440877528018077/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/my-poem.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/608440877528018077'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/608440877528018077'/><link rel='alternate' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/my-poem.html' title='My Poem'/><author><name>Kaylie McTiernan</name><uri>http://www.blogger.com/profile/10865900720505114933</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6598499374123648206.post-5138747373252568570</id><published>2009-06-03T07:41:00.000-07:00</published><updated>2009-06-03T07:42:02.285-07:00</updated><title type='text'>Marsh Graveyard</title><content type='html'>&lt;p class="MsoNormal"&gt;Brilliant morning light warms the dew&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Your hard rocks surround the gentle tree of pale red&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Within the garden, slowly eaten alive&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Petals fall and lie like the dead&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Old memories you refuse to hide&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Falling softly where others have bled&lt;/p&gt;  &lt;p class="MsoNormal"&gt;A sea of mourning conceals with high tide&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Nature has danced their dance since they wed&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;No need for epiphany, their spirit is known&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Haunting the earth with beauty hidden&lt;/p&gt;  &lt;p class="MsoNormal"&gt;To their fate no one is forbidden.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6598499374123648206-5138747373252568570?l=kaylieapenglish.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kaylieapenglish.blogspot.com/feeds/5138747373252568570/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/marsh-graveyard.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/5138747373252568570'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/5138747373252568570'/><link rel='alternate' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/marsh-graveyard.html' title='Marsh Graveyard'/><author><name>Kaylie McTiernan</name><uri>http://www.blogger.com/profile/10865900720505114933</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6598499374123648206.post-7673985428534458697</id><published>2009-06-03T06:25:00.000-07:00</published><updated>2009-06-03T06:26:13.857-07:00</updated><title type='text'>Symbolist Art</title><content type='html'>&lt;a href="http://www.huntfor.com/arthistory/c19th/symbolism.htm"&gt;Main representatives of Symbolist art&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6598499374123648206-7673985428534458697?l=kaylieapenglish.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kaylieapenglish.blogspot.com/feeds/7673985428534458697/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/symbolist-art.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/7673985428534458697'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/7673985428534458697'/><link rel='alternate' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/symbolist-art.html' title='Symbolist Art'/><author><name>Kaylie McTiernan</name><uri>http://www.blogger.com/profile/10865900720505114933</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6598499374123648206.post-905720999805842295</id><published>2009-06-03T05:40:00.000-07:00</published><updated>2009-06-03T05:41:45.732-07:00</updated><title type='text'>The Death of the Gravedigger</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://lingda.weirdy.net/pics/goth5.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 550px; height: 764px;" src="http://lingda.weirdy.net/pics/goth5.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;This painting is known as “The Death of the Gravedigger” by Carlos Schwabe.&lt;span style=""&gt;  &lt;/span&gt;The scene is within a graveyard covered with a thin layer of snow.&lt;span style=""&gt;  &lt;/span&gt;The main visual is of an old gravedigger standing within a grave and looking up to an angel dressed in black.&lt;span style=""&gt;  &lt;/span&gt;She holds a green light in her hand and it reflects on her neck.&lt;span style=""&gt;  &lt;/span&gt;He holds his heart as he watches her, therefore the light signifies his soul the angel is taking.&lt;span style=""&gt;  &lt;/span&gt;The gravedigger and angel clearly show death, but there is life surrounding them.&lt;span style=""&gt;  &lt;/span&gt;In the forefront there are small buds growing out of the snowy ground and a tree branch cascades over them.&lt;span style=""&gt;  &lt;/span&gt;In the background the graveyard looks calm and peaceful, the snow is untouched.&lt;span style=""&gt;  &lt;/span&gt;Schwabe’s painting is clearly a part of the Symbolist movement.&lt;span style=""&gt;  &lt;/span&gt;Many common Symbolist themes are present in this painting.&lt;span style=""&gt;  &lt;/span&gt;Death is the major symbol and captures attention at first glance of the poem.&lt;span style=""&gt;  &lt;/span&gt;Angels are another motif that is common to Symbolist work.&lt;span style=""&gt;  &lt;/span&gt;The angel in this painting is representing death which is a unique technique at the time to connect death with angels and beauty.&lt;span style=""&gt;  &lt;/span&gt;It is suggestive of ideas explored in a few of the Baudelaire poems that intertwine beauty with demise.&lt;span style=""&gt;  &lt;/span&gt;The poses of the two main figures clearly show the emotions they feel.&lt;span style=""&gt;  &lt;/span&gt;Understanding the emotions within is an essential part of Symbolism.&lt;span style=""&gt;  &lt;/span&gt;The feeling of the painting is also heightened by the forefront being contrasted with the pure, calm snow behind.&lt;span style=""&gt;  &lt;/span&gt;Carlos Schwabe was a Swiss-German Symbolist painter. &lt;span style=""&gt; &lt;/span&gt;This shows the effect that Symbolism had on the world. &lt;span style=""&gt; &lt;/span&gt;Schwabe studied for a time in &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;France&lt;/st1:place&gt;&lt;/st1:country-region&gt; and developed his own sense of the Symbolist movement. &lt;span style=""&gt; &lt;/span&gt;In his painting he captures emotions through his powerful image.  &lt;span style=""&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6598499374123648206-905720999805842295?l=kaylieapenglish.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kaylieapenglish.blogspot.com/feeds/905720999805842295/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/death-of-gravedigger.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/905720999805842295'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/905720999805842295'/><link rel='alternate' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/death-of-gravedigger.html' title='The Death of the Gravedigger'/><author><name>Kaylie McTiernan</name><uri>http://www.blogger.com/profile/10865900720505114933</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6598499374123648206.post-442150369506287448</id><published>2009-06-03T05:06:00.000-07:00</published><updated>2009-06-03T05:07:57.647-07:00</updated><title type='text'>The Symbolist Movement</title><content type='html'>&lt;p class="MsoNormal"&gt;Symbolism was a movement that occurred at the end of the 19&lt;sup&gt;th&lt;/sup&gt; century that originated in French poetry and art. &lt;span style=""&gt; &lt;/span&gt;Poets focused on their own existence and also explored various groups and countries for inspiration.&lt;span style=""&gt;  &lt;/span&gt;They used their poems to express deep feelings and their poems gave life to the sensations of everyday subjects.&lt;span style=""&gt;  &lt;/span&gt;Symbolists rejected conventions and gave their poems individuality.&lt;span style=""&gt;  &lt;/span&gt;Naturalism and Realism are movements that had come before that Symbolism rebelled from.&lt;span style=""&gt;  &lt;/span&gt;Those movements were very literal in everyday reality while Symbolism tried to capture the spirituality within.&lt;span style=""&gt;  &lt;/span&gt;Charles Baudelaire was the earliest Symbolist poet.&lt;span style=""&gt;  &lt;/span&gt;Baudelaire expressed the sorrow in his life through many of his poems.&lt;span style=""&gt;  &lt;/span&gt;The work of Edgar Allan Poe influenced the movement.&lt;span style=""&gt;  &lt;/span&gt;Baudelaire admired him and translated his work into French.&lt;span style=""&gt;  &lt;/span&gt;An important aspect of Symbolist poems is their sound.&lt;span style=""&gt;  &lt;/span&gt;The poets focused on the language and symbols when creating their poems.&lt;span style=""&gt;  &lt;/span&gt;Many such as Baudelaire, Mallarmé, and Verlaine had been writing in Symbolist style, but the term was established in 1885 by Jean Moréas.&lt;span style=""&gt;  &lt;/span&gt;He wrote the Symbolist Manifesto and believed that poets should aim to find truth that could be found indirectly through poems.&lt;span style=""&gt;  &lt;/span&gt;Symbolist poets argued to be seen as a new group.&lt;span style=""&gt;  &lt;/span&gt;In the mid 1880s there was criticism that they were connected with the Decadent movement.&lt;span style=""&gt;  &lt;/span&gt;This is what brought on Moréas’s Manifesto that defended the movement.&lt;span style=""&gt;  &lt;/span&gt;The Symbolist poets were outside society and often lead tragic lives.&lt;span style=""&gt;  &lt;/span&gt;Many turned to isolation, drugs, alcohol, and prostitution.&lt;span style=""&gt;  &lt;/span&gt;By the end of the 19&lt;sup&gt;th&lt;/sup&gt; century the Movement waned with the death of leading poets, such as Mallarmé.&lt;span style=""&gt;  &lt;/span&gt;The Symbolist movement did not last long in &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;France&lt;/st1:place&gt;&lt;/st1:country-region&gt;; however, it greatly influenced the rest of the world.&lt;span style=""&gt;  &lt;/span&gt;A few French poets, such as Paul Valéry and Paul Claudel, continued to use Symbolist style in their work.&lt;span style=""&gt;  &lt;/span&gt;Beyond France Symbolism was also prevalent in &lt;st1:country-region st="on"&gt;Spain&lt;/st1:country-region&gt;, &lt;st1:country-region st="on"&gt;Germany&lt;/st1:country-region&gt;, &lt;st1:country-region st="on"&gt;America&lt;/st1:country-region&gt;, and &lt;st1:place st="on"&gt;Eastern Europe&lt;/st1:place&gt;.&lt;span style=""&gt;  &lt;/span&gt;Symbolism loosened the constrictions on poetry at the time and allowed freer thought.&lt;span style=""&gt;  &lt;/span&gt;The movement spanned countries as well as art forms and captured change in thought that was beginning at that time.&lt;span style=""&gt;  &lt;/span&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;Work Cited&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;a href="http://www.enotes.com/nineteenth-century-criticism/french-symbolist-poetry"&gt;"French Symbolist Poetry ." &lt;i&gt;Nineteenth-Century Literary Criticism&lt;/i&gt;. 2009. eNotes. &lt;/a&gt;&lt;span style="" lang="ES"&gt;&lt;a href="http://www.enotes.com/nineteenth-century-criticism/french-symbolist-poetry"&gt;1 Jun 2009 &lt;span style=""&gt;            &lt;/span&gt;&lt;http://www.enotes.com/nineteenth-century-criticism/french-symbolist-poetry&gt;.&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="ES"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;a href="http://www.textetc.com/modernist/symbolism.html"&gt;Holcombe , John. "Symbolist Poets." &lt;i&gt;Textetc.com&lt;/i&gt;. 2007. 31 May 2009 &lt;span style=""&gt;            &lt;/span&gt;&lt;http://www.textetc.com/modernist/symbolism.html&gt;.&lt;/a&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;a href="http://en.wikipedia.org/wiki/Symbolism_%28arts%29"&gt;"Symbolism (Arts)." &lt;i&gt;Wikipedia&lt;/i&gt;. 29 May 2009. Wikipedia. &lt;span style="" lang="ES"&gt;1 Jun 2009 &lt;span style=""&gt;            &lt;/span&gt;&lt;http://en.wikipedia.org/wiki/symbolism_(arts)&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6598499374123648206-442150369506287448?l=kaylieapenglish.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kaylieapenglish.blogspot.com/feeds/442150369506287448/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/symbolist-movement.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/442150369506287448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/442150369506287448'/><link rel='alternate' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/symbolist-movement.html' title='The Symbolist Movement'/><author><name>Kaylie McTiernan</name><uri>http://www.blogger.com/profile/10865900720505114933</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6598499374123648206.post-236220015770014903</id><published>2009-06-02T19:10:00.000-07:00</published><updated>2009-06-02T19:11:06.472-07:00</updated><title type='text'>An Explication of “The Eyes of Beauty” by Charles Baudelaire</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;/o:p&gt;In “The Eyes of Beauty” Baudelaire is speaking about the eyes of a beautiful woman.&lt;span style=""&gt;  &lt;/span&gt;He talks about the sadness that is within him from memories he has.&lt;span style=""&gt;  &lt;/span&gt;He says that she wants his heart, but it has already been destroyed by women.&lt;span style=""&gt;  &lt;/span&gt;He goes into detail about his heart’s ruin and women’s evil ways. Then he gets distracted by the woman he is with and changes his mind.&lt;span style=""&gt;  &lt;/span&gt;He claims that beauty controls his emotions and he gives into them.&lt;span style=""&gt;  &lt;/span&gt;Baudelaire plays with the language within this poem, first by speaking to the reader and giving him the role of beauty.&lt;span style=""&gt;  &lt;/span&gt;He also speaks about beauty in the third person in the end, as if it is no longer personal but rather out of his control.&lt;span style=""&gt;  &lt;/span&gt;Baudelaire uses a lot of images to convey his emotions.&lt;span style=""&gt;  &lt;/span&gt;In the first stanza he compares his blood to the sea.&lt;span style=""&gt;  &lt;/span&gt;This gives weight to his sadness and gives the reader the ability to relate to his bitterness to salt left from the ocean and its “surges, and ebbing”.&lt;span style=""&gt;  &lt;/span&gt;Next he tells her that her touch serves no purpose because the heart that she searches for has been damaged by past women.&lt;span style=""&gt;  &lt;/span&gt;He characterizes them as evil by their “tooth and talon” and by calling them dogs.&lt;span style=""&gt;  &lt;/span&gt;He goes farther in explaining his pain by explaining how they separated and tore his heart and filled themselves with his destruction.&lt;span style=""&gt;  &lt;/span&gt;At this point the poem shifts, “A perfume swims about your naked breast!”&lt;span style=""&gt;  &lt;/span&gt;He changes his tone, but not for her heart, but for her body that is irresistible.&lt;span style=""&gt;  &lt;/span&gt;Now giving into beauty he claims that it is the cause of all his problems.&lt;span style=""&gt;  &lt;/span&gt;The eyes of beauty are now described as “flame-like” that he believes shine on him only to further destroy him, “eyes that at bright feasts have flared”.&lt;span style=""&gt;  &lt;/span&gt;His view of women is of evil creatures that want to devastate him.&lt;span style=""&gt;  &lt;/span&gt;In the last line he gives in and tells her to “burn” what is left of himself.&lt;span style=""&gt;  &lt;/span&gt;In the end by connecting this woman with fire he is explaining the passion he finds in her and the destruction she will cause him.&lt;span style=""&gt;  &lt;/span&gt;In this poem Baudelaire explains beauty as being a surface quality.&lt;span style=""&gt;  &lt;/span&gt;The beautiful women that he speaks of are destructive, but alluring.&lt;span style=""&gt;  &lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6598499374123648206-236220015770014903?l=kaylieapenglish.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kaylieapenglish.blogspot.com/feeds/236220015770014903/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/explication-of-eyes-of-beauty-by_02.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/236220015770014903'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/236220015770014903'/><link rel='alternate' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/explication-of-eyes-of-beauty-by_02.html' title='An Explication of “The Eyes of Beauty” by Charles Baudelaire'/><author><name>Kaylie McTiernan</name><uri>http://www.blogger.com/profile/10865900720505114933</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6598499374123648206.post-2640030708442683221</id><published>2009-06-02T19:06:00.001-07:00</published><updated>2009-06-02T19:09:35.126-07:00</updated><title type='text'>The Eyes of Beauty</title><content type='html'>&lt;a href="http://www.poetry-archive.com/b/the_eyes_of_beauty.html"&gt;The Eyes of Beauty by Charles Baudelaire&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6598499374123648206-2640030708442683221?l=kaylieapenglish.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kaylieapenglish.blogspot.com/feeds/2640030708442683221/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/eyes-of-beauty.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/2640030708442683221'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/2640030708442683221'/><link rel='alternate' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/eyes-of-beauty.html' title='The Eyes of Beauty'/><author><name>Kaylie McTiernan</name><uri>http://www.blogger.com/profile/10865900720505114933</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6598499374123648206.post-1857525294514368518</id><published>2009-06-02T18:31:00.000-07:00</published><updated>2009-06-02T18:32:20.085-07:00</updated><title type='text'>Reflection</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;The Symbolism poetry movement was a French poetry movement that attempted to express the feelings of everyday reality.&lt;span style=""&gt;  &lt;/span&gt;This movement went against naturalism and realism that had come before.&lt;span style=""&gt;  &lt;/span&gt;Symbolism instead delved into spirituality, the imagination, and dreams.&lt;span style=""&gt;  &lt;/span&gt;Strong emotions were emphasized and poems were written in freer verse than they had been previously.&lt;span style=""&gt;  &lt;/span&gt;Symbolism interprets everyday experiences in interesting ways in order to capture its reality and true feelings.&lt;span style=""&gt;  &lt;/span&gt;After reading several symbolist poems it is clear that the poets delve into the ordinary and find its meaning rather than writing about the ideal.&lt;span style=""&gt;  &lt;/span&gt;One way the poets accomplish this is through their imaginative word choices.&lt;span style=""&gt;  &lt;/span&gt;Another aspect that stands out is the use of rhyme in all the poems.&lt;span style=""&gt;  &lt;/span&gt;Stéphane Mallarmé uses interesting word choices and combinations to enrich his poems.&lt;span style=""&gt;  &lt;/span&gt;In “Sea-Wind” he creates the line, “ancient gardens mirrored in the eyes.”&lt;span style=""&gt;  &lt;/span&gt;In “Moonlight” Paul Verlaine also uses creative word choices, to describe moonlight he uses the phrase “lovely melancholy light.”&lt;span style=""&gt;  &lt;/span&gt;In Verlaine’s “Like city’s rain, my heart…” he expresses his own emotions by comparing them to the rain.&lt;span style=""&gt;  &lt;/span&gt;Verlaine is inventive in his poem “For Charles Baudelaire” as he addresses Charles Baudelaire who is another Symbolist poet.&lt;span style=""&gt;  &lt;/span&gt;Baudelaire gets at unique ideas in his poetry.&lt;span style=""&gt;  &lt;/span&gt;In “Beauty” he explores death within beauty.&lt;span style=""&gt;  &lt;/span&gt;In “The Dance of Death” he contrasts death with life to evoke the feelings of death.&lt;span style=""&gt;  &lt;/span&gt;In “The Eyes of Beauty” he uses strong imagery to convey his thoughts and his lost ability to love.&lt;span style=""&gt;  &lt;/span&gt;Arthur Rimbaud also uses imagery in his poem “Ophelia” as he evokes the feelings of her drowning.&lt;span style=""&gt;  &lt;/span&gt;In “Dance of the Hanged Men” Rimbaud ironically uses a playful tone to discuss the dead.&lt;span style=""&gt;  &lt;/span&gt;Laforgue’s poem “Harlequins (they have principles)” uses a style different from many of the other poems.&lt;span style=""&gt;  &lt;/span&gt;He includes parts of a conversation within his poem.&lt;span style=""&gt;  &lt;/span&gt;Each of the Symbolist poems I read express emotions in unique, powerful ways.&lt;span style=""&gt;  &lt;/span&gt;They focus on the mood and are mainly concerned with the feelings their poems evoke.&lt;span style=""&gt;  &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;Poems I have reflected on&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“Sea-Wind” by Stéphane Mallarmé&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“Moonlight”, “Like city’s rain, my heart…”, and “For Charles Baudelaire” by Paul Verlaine&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“Beauty”, “The Dance of Death”, and “The Eyes of Beauty” by Charles Baudelaire&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“Ophelia” and “Dance of the Hanged Men” by Arthur Rimbaud&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“Harlequins (they have principles)” by Jules Laforgue&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6598499374123648206-1857525294514368518?l=kaylieapenglish.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kaylieapenglish.blogspot.com/feeds/1857525294514368518/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/reflection_02.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/1857525294514368518'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6598499374123648206/posts/default/1857525294514368518'/><link rel='alternate' type='text/html' href='http://kaylieapenglish.blogspot.com/2009/06/reflection_02.html' title='Reflection'/><author><name>Kaylie McTiernan</name><uri>http://www.blogger.com/profile/10865900720505114933</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
